Geoffrey Blair Hajim (GB Hajim), digital animator, writer, artist, producter, and director.

His heart is truly in the community and that drives everything he is trying to develop. How he got to Hawai’i is a long story, and it started with his college career. A Connecticut native, Hajim studied at the University of California-San Diego, starting out in astrophysics before switching to visual arts and media science. He explored culture and media with projects like performance art pieces with the Dineh (Navaho) and large mural painting with orphans in Mexico. It was during these years that he became passionate about non-Western art and African filmmaking.

He co-taught a class that compared African films to African literature and, encouraged by a professor, did field work on a topic of his choosing: the kava bowl. “I read everything written about it and wrote papers on itI spent time in Fiji, Tonga, and Western Samoa. Everyone on my travels opened their homes to me. Everywhere I went I saw communities of people raising each other’s children and taking care of one another. I was in love with the way island people treated each other.”

He went on to graduate work in film production before becoming an islander himself, moving his young family to Hawai‘i to find, in his word, “community.”
Hajim’s love for the island induced him to study its language and immerse himself in Hawaiian culture. Within a short time, he established Screaming Wink Productions to apply his expertise to producing Hawaiian language and culture videos, working with Hau’oli Motta, Luahiwa Namahoe, Kainani Kahunaele and Kala’i Ontai. He produced, among other films, “Pi’apa `Oiwi, The Hawaiian Alphabet”; “Kalanimainu’u—the Story of the Mo’o Goddess of Moloka’i”; and “Ka’ililauokekoa,” which won the Hawai‘i Filmmaker’s Award. These projects enabled him to start honing his cut-out animation style.

Excerpted from “Digital Dream Ready for the Big Screen,” by Paula Thomas, Ke Ola Magazine. To read the full article, click this link:

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Recent Reviews

“In the current climate of parody, pastiche, re-hashing, re-booting and recycling of films, it is so refreshing to see a film as unique, original and enjoyable as Strange Frame...a rare film: inspiration by other forms is noticeable, but it is not merely repetition or homage. It is a dreamscape, one that does not shy aware from the ugly, yet celebrates the beautiful.” - Shelagh M. Rowan-Legg, Twitch Film

"probably one of the most visually riveting movies released in recent years. The energy and beauty of the animation, and the strength of its vocal performers (particularly Curry, who is the definitive voice actor for flamboyant evil) keep this story of love up among the stars." - Adam Mohrbacher, FilmMonthly

"It’s thrilling, sexy, entertaining due to it’s massive amount of music and visual stimulation, but more importantly, a story that has a deep meaning and a refreshing plotline. This film has cult classic written all over it.” - AJ Garcia, Shakefire

“Some films are instant cult classics the minute they appear. G.B.Hajim's STRANGE FRAME is one such film.” – Heather Massey, The Galaxy Express

"Not since WIZARDS have I enjoyed a rock musical with animation this much. Speaking of animation the characters are exquisite…The smooth flow of this cutting edge film is more than sci-fi animation – it is an experience not to be missed." – Jeri Jacquin, Movie Maven

"an electrifying trip for the eyeballs, fully embracing a visual style that, at most, very few films share." - Tyler Foster , DVDTalk

"What the fuck? No really. What the fuck? I must have said that at least twenty times while watching this crazy, visual trip of a film…I couldn’t take my eyes off the screen and will be tuning in again for repeat viewings." – Mike Gencarelli, MediaMikes

"If youʻre a sci-fi fan this a must see…like a vintage issue of Heavy Metal come to life and given depth. The graphics alone could make Strange Frame a head-turner, but then add to it a legendary sci-fi voice cast…it's own beast, and well worth a look if you get a chance.” – Brett Cullum, DVD Verdict

"One could call Strange Frame the best animated motion comic, except that it is not a comic…the combination of the hand-painted, computer assisted animation and CGI results in a very unique look. This will draw in a lot of people, even if they are not drawn in by the story. Personally, I was fascinated with both." – C.S. Strowbridge, The Numbers

"If ever you wondered what a truly unhinged mash-up of the dominant production styles of Heavy Metal, Barbarella and Blade Runner would look like, here’s your chance." – Danielle Riendeau, AfterEllen

"The awesome does not stop….Wildly Inventive" - Tracy Gilchrist, SheWired
"The animation is very much like something out of a dream.” - Alexander Bustos, Comic Attack

“the film excels is with the music…soulful jazz riffs on solo saxophone that will make your heart ache just listening to them.” – Siobhan Greene, Fangoria

“ the visuals are what made this movie. Think 1960's acid trip meets dreamlike anime film and add in a futuristic space setting. At the start of the movie, you feel overwhelmed by how much is going on at once. Then, once you realize Hajim knows exactly what he's doing with all of these elements, it's easy to sit back, relax and let the story take the wheel.” -Jade Salazar, Tagg Magazine

“the movie goes out of its way for its consumers. It has danceable songs, spaceships, nipples, clever dialogue…it is not only a Blade Runner movie but also an A Star Is Born movie…” - Jason Rohrer, Stage and Cinema

“just what the doctor ordered” - Karman Kregloe, Huffington Post

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A Synopsis

Parker, a saxophonist, leaves a comfortable life to play music in dangerous Ganymede City. Rioting breaks out and a debt slave named Naia escapes and then rescues Parker from one of the regime’s thugs. They fall fast in love and form a band. Soon Naia is enslaved again, this time to the deadly stardom of the 28th century. Though down and out, Parker sets out on a quest to free Naia and redeem their love.

"...a dreamscrape..." - Shelagh M. Rowan-Legg, TwitchFilm

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